Warm greetings and welcome. Like the past issues, this latest June 2023 edition of Taj Mahal Review is an humble attempt to publish remarkable and beautiful poems, short stories and haiku by authors from several countries. I have tried to include only those writings that have imaginative power and depth of feeling.  For many years I edited the international journal, standing up in the face of all obstacles, and have tried my best to find ‘great moment’  through the medium of poetry. Some day the world will awake and understand the sanctifying power of great poetry. For example, we may take Samuel Johnson’s following highly inspiring lines: Still raise for good the supplicating voice,  But leave to heaven the measure and the choice.  Safe in his pow’r, whose eyes discern afar  The secret ambush of a specious pray’r. All readers will certainly like the following sober, chaste and truly wonderful lines by the famous poet S. T. Coleridge: He prayeth best who loveth best All things both great and small; For the dear God who loveth us, He made and loveth all. I feel quite obliged and grateful to all authors published in this edition of TMR. Without their kind and generous cooperation it is not possible to publish TMR.   Thanks again. Best Wishes SANTOSH KUMAR Editor

Happy New Year! Welcome to the latest December 2022 edition of TMR. This issue includes poems, haiku, short stories by some of the most impressive modern and postmodern authors. In choice of theme, and approach, the poets selected for this edition reveal the breadth of intellect and wisdom. The poems in the latest edition of TMR are written in a language notable for clarity of expression and precision.

The Nobel Prize in Literature 2022 was awarded to the French author Annie Ernaux “for the courage and clinical acuity with which she uncovers the roots, estrangements and collective restraints of personal memory.” Congratulations to her for receiving the prestigious honor. It is good to remember these wise words of Adrienne Rich: “I guess what concerns me always is the need for a field, a rich compost, for any art to flourish. But however isolated or unheard you may feel, if you have the need to write poetry, are compelled to write it, you go on, whether there is resonance or not.”. John Milton always wrote when he was ‘compelled to write’. Paradise Lost was written during his blindness.

Despite intense suffering and loss of eyesight, Milton avoids overinsistence on  mood of sorrow in the following lines. He makes them live; and they live by virtue of  his  religious fervour, imagery and passionate feeling:

So much the rather thou Celestial light
Shine inward, and the mind through all her powers
Irradiate, there plant eyes, all mist from thence
Purge and disperse, that I may see and tell
Of things invisible to mortal sight.

I shall be failing in my duty if I don’t express my gratitude and thanks to the poets and creative artists whose immense cooperation and kindness encouraged and inspired me in this task of editing the journal. Thanks again.

SANTOSH KUMAR, Editor

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Warm greetings. Like the earlier issues, this latest edition of Taj Mahal Review is an humble attempt to publish genuine creative writings by authors across the globe. I have done my best to ascertain that the June 2022 edition contains only those authors who cater to the creative appetite of readers all over the world.
This latest issue of TMR includes modern and postmodern poems, haiku by international poets, book reviews and many other interesting features. Some of the poems included in this latest edition are romantic in method and style, but it is necessary to add that these poets find it difficult to altogether escape troubled spirit.
The fact is that it is not always possible for a creative artist to write about happier aspects of life. The opening line of Shakespeare’s The Merchant of Venice reveals Antonio’s mysterious melancholy: “In sooth, I know now not why I am so sad.” Matthew Arnold’s poem The Scholar Gipsy (1853) reveals in the following immortal lines:
It is very sad to write about death of Ambassador Moshé Liba, retired diplomat, university professor, author and artist. I along with Karunesh Kumar Agarwal express deep condolence to the bereaved family. A highly remarkable fact about him is his intense love for writing poems and reflective essays. He is an immortal poet. In his works, poetry attains its highest power, revealing his individual style and mastery of the English language.
Congratulations to Zanzibar-born novelist Abdulrazak Gurnah who won the 2021 Nobel Prize in literature "For his uncompromising and compassionate penetration of the effects of colonialism and the fate of the refugee in the gulf between cultures and continents”. This is my duty to express my thanks and gratitude to all authors published in June 2022 edition of TMR. I must add that without their kind help this publication would not have been possible. Best Wishes
SANTOSH KUMAR, Editor

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Welcome to Taj Mahal Review, December 2021! May every day of this New Year bring you Happiness, Love and Prosperity. Happy New Year! The multiple ways connect these poets, short-story tellers and essayists together. A global feel with artists around the world. It is my earnest hope that the impulses, desires, a few admonitions, some brilliant, acute observations will surely comfort our world tormented by the insolence of violence, terrorism, “the whips and scorns of time.” It is hoped that this issue of Taj Mahal Review will help in sustaining a sense of literature and art. The authors included in TMR reveal the very spirit and soul of great writing. Struggle would exhaust all creative artists, so cooperation is indispensable for evolving a society of world poets to create a world free from violence and hatred.

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